OPETH: New Audio Interview Available

February 23, 2008

OPETH's Mikael Åkerfeldt and Fredrik Åkesson were interviewed this past Thursday (February 21) on WSOU 89.5 FM, Seton Hall's Pirate Radio. Listen to the listener call-in portion of the show in three parts below (courtesy of "xenowang").

OPETH have scheduled the following headlining shows during "off" days on the Progressive Nation tour:

May 04 - Portland, OR - Roseland Theater
May 08 - Spokane, WA - Big Easy
May 15 - Millvale, PA - Mr. Small Theatre
May 23 - Montreal, OC - Le Medley
May 24 - Toronto, ON - Sound Academy
May 29 - N. Myrtle Beach, SC - House Of Blues SC

The Progressive Nation North American tour with DREAM THEATER, OPETH, BETWEEN THE BURIED AND ME and 3 kicks off in early May.

OPETH has set "Watershed" as the title of the band's forthcoming album, due out on June 3 via Roadrunner Records (one day earlier internationally). The CD, recorded in the band's native Sweden and produced by frontman/guitarist Mikael Åkerfeldt and Jens Bogren, is a masterwork that follows the time-honored OPETH tradition; its modern yet timeless, progressive yet paying homage to the sounds of classic rock.

"Watershed" track listing:

01. Coil
02. Heir Apparent
03. The Lotus Eater
04. Burden
05. Porcelain Heart
06. Hessian Peel
07. Hex Omega

All the songs were written by Åkerfeldt apart from "Porcelain Heart", which was co-written with new guitarist Fredrik Åkesson. One additonal track, "Derelict Herds", was also recorded and this was written by Mikael Åkerfeldt and Per Wiberg. On top of this, three cover songs were recorded. "Bridge of Sighs" from ROBIN TROWER's 1974 LP of the same title, "Den Ständiga Resan" (sung in Swedish) by MARIE FREDRIKSSON as well as the classic ALICE IN CHAINS song "Would?"

The album was recorded at Fascination Street studios during November 1 and December 13. Some additional recording was done between January 3 and January 7.

Says Mikael Åkerfeldt: "I've worked so hard with these songs for quite some time now, I've listened to 'em a zillion times. I don't hate them just yet! The album sounds great sonically and I think I can hear us evolving as the record plays on. It is taking us somewhere musically and I don't know where. It's very exciting to say the least! I can't remember having enjoyed a recording this much ever before."

The cover was (as usual) designed by Travis Smith in co-operation with Åkerfeldt.

Part 1:

Part 2:

Part 3:

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